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Who am I?
It depends on who you ask.
To him? I'm a pompous bitch who talks too much.
To her? I'm obnoxiously bubbly, too loud, too ridiculous.
She sees me as a hero, a free spirit to aspire to be.
This guy barely sees me at all. I'm just a blur in his life, nothing really. Insignificant.
To him, I'm "perfect," all the things he looks for in a girl. Except he sees me just as little as the former really.
To her, I'm an embarrassment, essentially flawed, my name marked by mistakes.
He sees me as a sign of hope, a compassionate soul amidst a sea of selfishness.


But what am I really? Adjectives, mere words, do not suffice. I am neither meek nor bold, loving nor hateful, passionate nor apathetic. If I'm to be defined, let it not be with meaningless words, not based on biased perceptions. Too much would be missed. Define me using color, light, sound. That's where you'll discover my essence. It's in the silences between my speech, the color of my hair, the notes of my favorite songs. Hold my hand and in the space between us, there you can find a part. The invisible line that connects our eyes when they meet. Yes, there I am.
The crescendo of my laugh holds a piece of me, as does the decrescendo of my sigh. My essence, what I truly am, is not owned by words. I am. Let it be. Let me be.
:iconradiantlenore:

Author's Comments

This is another monologue written for my Vox: Finding Your Voice Through Performance class. We all had to create a piece answering the question "Who are you?". As for stage directions, there will be members of my class on stage with me, and I'll be addressing the beginning statements to them (still facing the crowd though, of course.)

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:iconvex0r:
Oh, the futility of language.

I can see you delivering this, actually (though that might be the medicine making me hyper). Especially with "Hold my hand and in the space between us, there you can find a part. The invisible line that connects our eyes when they meet. Yes, there I am. The crescendo of my laugh holds a piece of me, as does the decrescendo of my sigh."

"To him, I'm ';perfect,' all the things he looks for in a girl. Except he sees me just as little as the former really."
I like the first half of that, but not the second. It feels tacked-on and it's not quite as strong as the other points are. A good suggestion is eluding me, however... hmm. Maybe, "...he looks for in a girl, though if he looked a little closer he'd find I'm no goodly woman-saint."

Woman-saint? God, it's late. *headdesk*

--
Embrace this moment. Remember: we are eternal. All this pain is an illusion.

[link]
Join. Play. Love.
:iconvex0r:
I do like this, by the way. I seem to have forgotten to mention that.

--
Embrace this moment. Remember: we are eternal. All this pain is an illusion.

[link]
Join. Play. Love.
:iconradiantlenore:
The "perfect" line actually works really well on stage. (We made a recording of it yesterday, so as soon as it is edited, I'll post a link to it so that you can see.) It's interesting writing and performing your work. It makes it so much easier to get into character, communicate.

I just got home from GHA. My house...doesn't feel like my house...

--
"Life has been your art. You have set yourself to music. Your days are your sonnets." - Oscar Wilde
:iconvex0r:
They always tell you to read your poetry out loud... maybe that has something to do with it?

Lit magix. Who knows.

--
Embrace this moment. Remember: we are eternal. All this pain is an illusion.

[link]
Join. Play. Love.

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July 15
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